Broadstreet Review, Tom Purdom – Full Review
“Stillman’s performance at the FIRST EDITIONS concert drew a well-deserved round of applause at the end of the first movement. Stillman has described the slow movement as an “aria for flute”; she gave it an operatic mix of technique and expression, lyricism, and jauntiness…
…The first two pieces at the FIRST EDITIONS concert … both had an edge … perhaps because of the subject matter. Robert Maggio’s Bright Elegy is a memorial to his mother and Ingrid Arauco’s Via Cordis captures the mysticism of the desert…
… Curt Cacioppo’s A Meeting of Souls is essentially a fantasy based on the famous air in the second movement of Bach’s third orchestral suite. Cacioppo wrote it because a conductor wanted to play the suite with a modern substitute for Bach’s original. Cacioppo started with a good foundation and used it to produce something uniquely his own—a true meeting between a modern spirit and one of the greatest souls in music history…
…The concert ended with an eight-minute work Mimi Stillman premiered at a 2015 Dolce Suono concert. Zhou Tian’s Viajeis based on the saga of the Spanish hero El Cid and the trials of his daughters. This is the third time I’ve heard some version of it, and I can understand why Stillman keeps it in her repertory. The flute passages and orchestration evoke all the gallantry and tenderness of the subject.”