Janice Hamer, composer

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Janice Hamer’s music includes solo vocal, choral, orchestral and chamber works, and an opera, Lost Childhood, based on a Holocaust memoir. Her music has been performed in England, France, Austria, Israel, the Palestinian Authority and Ukraine, and by various groups in this country. She is the recipient of numerous awards, including a Radcliffe Institute Fellowship, grants from the New Jersey and Pennsylvania Councils on the Arts, Meet the Composer, American Music Center, American Composers Forum and ASCAP, and she has had five residencies at the Virginia Center for the Creative Arts. She has degrees from Harvard and Westminster Choir College, and a Ph.D. from the Graduate Center of the City University of New York. Her teachers were Earl Kim, Peter Maxwell Davies and Thea Musgrave.

A longtime Philadelphia resident, Hamer taught at Swarthmore, and earlier at Curtis and Haverford. She currently lives in the Washington D.C. area. In addition to her musical activities, she has recently organized a project to introduce solar cooking to several Tanzanian villages.

Arne Running, Composer

arne runningArne Running (1943-2016) was born and raised in Moorhead, Minnesota. He began studying the clarinet at age eleven, and only six years later was performing the Mozart Clarinet Concerto with the Minnesota Orchestra. Although he composed a number of works during his high school years, his writing came to a temporary halt when he entered Boston’s New England Conservatory of Music. While studying there, the demands of acquiring proficiency on his chosen instrument left little time for composition. Additionally, the prevailing style of music composed in this country during his Conservatory years, the 1960s, was foreign to his personal, tonality-based style of writing.

After receiving his Bachelor of Music degree from the Conservatory, Running attended Temple University in Philadelphia, where he received a Master of Music degree. Following graduation, he began a busy career as a freelance musician in Philadelphia, performing as principal clarinetist with the Pennsylvania Ballet, the Concerto Soloists Chamber Orchestra, and the Philly Pops Orchestra, as well as substituting with the Philadelphia Orchestra. He has also been a member of several contemporary music ensembles, including Penn Contemporary Players, Network for New Music, and Orchestra 2001. As a conductor, he has worked with youth, All-State, community, university and professional orchestras.

At age thirty-three, after a seventeen-year hiatus, Running began to compose once again. This was in 1976, and the country’s musical climate had become more accepting of diverse compositional styles. His first composition wasChorale and Capriccio for Band, and the publication and international acceptance of this work gave him renewed confidence in his personal compositional voice. Works written since then have been commissioned by a variety of ensembles, including the Minnesota Orchestra, the St. Olaf College Band, and the Berks Classical Children’s Chorus.

Running’s catalog of works is not large. This is partly out of necessity (his performing career was a busy one), but it is primarily a matter of quality control: if circumstances were not conducive to completing good work, the work was left undone. He believed, “It is easy to compose notes. It is not so easy to make sure the notes are telling the composer’s story truthfully.”

Ingrid Arauco, composer

Ingrid-AraucoIngrid Arauco began her studies in composition with Robert Hall Lewis while an undergraduate at Goucher College. She received her doctorate from the University of Pennsylvania, where she studied with George Crumb, George Rochberg, Richard Wernick, and C. Jane Wilkinson.  She has received awards or fellowships from the American Guild of Organists, Yaddo, and the MacDowell Colony, and commissions from the Philadelphia Chamber Music Society, Settlement Music School, and the Kindler Foundation in the Library of Congress.  Her works have been performed by the Colorado Quartet, Network for New Music, and the Atlanta Symphony, among other distinguished musical organizations.  In 1995-96, she was the recipient of an Individual Artist Fellowship from the Delaware Division of the Arts.  Her compositions are published by Theodore Presser Co. and Hinshaw Music, and have been recorded on the Albany, Capstone, and Meyer Media labels.  Ms. Arauco has taught at the University of North Carolina, Chapel Hill, and currently teaches at Haverford College.

Robert Maggio, composer

Rob-Maggio

ROBERT MAGGIO (www.robertmaggio.com) is an American composer and collaborator; he has created works in many genres, connecting a “wondrously eclectic vocabulary” (New York Times) with a diverse body of commissions, ranging from orchestral works to chamber music, and ballet scores to musicals. Robert’s music has been called “lyrical, passionate, melodic, and rhythmically charged” (American Record Guide), and has been performed by the Philadelphia Orchestra, the Boston Pops, the Atlanta Symphony and the Cincinnati Symphony. He has composed commissioned scores for Pennsylvania Ballet and Ballet X, and songs and incidental music for Philadelphia Theatre Company, Yale Repertory Theater, Peoples Light and Theater Company, and Shakespeare Santa Cruz. A member of the BMI Musical Theatre Workshop, Robert is working on musicals with lyricist/librettists Amy Buchwald, Matthew Hardy, Michael Hollinger, Kristin Maloney and Justin Warner. Published by Theodore Presser Co., Hickman Music and Yelton Rhodes, his is music is recorded on the Summit, New World and Albany labels. He is the recipient of awards from the Pew Fellowships in the Arts, Guggenheim Foundation, American Academy of Arts and Letters, New Music USA, ASCAP, BMI, and the Pennsylvania & New Jersey Arts Councils. A graduate of Yale and the University of Pennsylvania, Robert teaches music theory and composition at West Chester University.

Mimi Stillman, flute

Photo: Vanessa Briceño

Photo: Vanessa Briceño

MIMI STILLMAN is one of the most celebrated flutists in the music world, critically acclaimed for her brilliant artistry, passionate interpretation, and innovative programming. Hailed by The New York Times as “a consummate and charismatic performer”, she has appeared as soloist with orchestras including The Philadelphia Orchestra, Orquesta Sinfónica de Yucatán, Bach Collegium Stuttgart, Indianapolis Chamber Orchestra, Chamber Orchestra of the Triangle, and Hilton Head Orchestra, and as recitalist and chamber musician at venues including Carnegie Hall, The Kennedy Center, Philadelphia Chamber Music Society, Smithsonian American Art Museum, Brooklyn’s Roulette, Verbier Festival in Switzerland, Bard College, La Jolla Chamber Music Festival, and Kol HaMusica in Israel. A wide-ranging and innovative artist, Ms. Stillman celebrates the canon while deeply exploring new music and Latin genres. Her “Syrinx Journey”, with which she honored Claude Debussy on his 150th birthday by making a video of his three-minute masterpiece “Syrinx’ every day for one year, captivated a global audience.

As founding Artistic Director of Dolce Suono Ensemble, she has created a dynamic force in the music world highly regarded for its chamber music concerts of Baroque to contemporary music. Featured as Chamber Music America’s “American Ensemble”, Dolce Suono Ensemble boasts 44 commissioned works in 11 seasons. Ms. Stillman has premiered works by eminent composers including Jennifer Higdon, Shulamit Ran, Richard Danielpour, Steven Mackey, Mason Bates, David Ludwig, and the late Steven Stucky. Ms. Stillman has enjoyed fruitful collaborations with artists including Lucy Shelton, Eric Owens, Juan Diego Flórez, Julius Baker, Paquito D’Rivera, The Dover Quartet, Anthony Newman, and Roberto Díaz, and recorded a film soundtrack for Kevin Bacon. At the invitation of Plácido Domingo, Ms. Stillman and Dolce Suono Ensemble enjoy a partnership with Washington National Opera’s Domingo-Cafritz Young Artist Program. Orchestrally, she has played under the baton of conductors including Simon Rattle, André Previn, Wolfgang Sawallisch, Marin Alsop, and Robert Spano.

With an extraordinary range of accomplishments and intellectual interests, Mimi Stillman made the leap from child prodigy to inimitable artist. At age 12, she was the youngest wind player ever admitted to the Curtis Institute of Music where she studied with the legendary Julius Baker and Jeffrey Khaner. She went on to receive a MA and PhD (abd) in history at the University of Pennsylvania, and is a published author on music and history integrating scholarship with her artistic vision in projects with her hallmark, thought-provoking depth. She is lauded for expanding the flute repertoire through her arrangements and compositions among them her award-winning Nuits d’Étoiles: 8 Early Songs of Claude Debussy (Theodore Presser). She can be heard on several recordings including her critically praised “Freedom”, music for flute, piano, and the human spirit, and “Odyssey: 11 American Premieres” (Innova), both with her longstanding duo pianist Charles Abramovic.

A Yamaha Performing Artist, Mimi Stillman has won many competitions and awards including Young Concert Artists International Auditions, the Bärenreiter Prize for Best Historical Performance for Winds, Astral Artists, and the Philadelphia Women in the Arts Award. Devoted to education, she has taught masterclasses for institutions including the National Flute Association, Eastman School of Music, Cornell University, Rutgers University, the universities of Texas, California, and Virginia, and at conservatories and flute associations worldwide. Her Música en tus Manos (Music in Your Hands) project to introduce chamber music to the Latino community of Philadelphia won the Knight Arts Challenge Grant. She is on faculty of Curtis Summerfest, Music for All National Festival, and University of Pennsylvania. www.mimistillman.com

Curt Cacioppo, composer

Photo: Renato D’Agostin

Photo: Renato D’Agostin

Curt Cacioppo is a composer whose expressive power and emotional appeal continue to captivate listeners and performers worldwide. A person of great human feeling, he derives inspiration from sources as diverse as the medieval poetry of Dante, aspects of Native American culture, or the vernacular music he grew up with.
His creative work is founded upon a virtuoso background of solo and collaborative piano playing, and he pursues an active role as pianist on stage and in recording. An engaging speaker and writer on a wide variety of musical topics, he is able to communicate his enthusiasm for the art to a broad constituency.

Marcantonio Barone, piano

40342_1024Born in 1962, American pianist Marcantonio Barone made his debut at the age of ten at a Philadelphia Orchestra children’s concert. He returned in 1990 as soloist on the Orchestra’s subscription series under the direction of William Smith. He has also performed as soloist with the Saint Louis and Houston Symphony Orchestras, the Moscow Symphony Orchestra, and the City of Birmingham Symphony Orchestra, among others. He has collaborated with such eminent conductors as Sir Simon Rattle, Leon Fleisher, Arther Fiedler, and Barry Tuckwell, and has performed in solo recitals at the Metropolitan Museum and at Weill Recital Hall in New York, at the Wigmore Hall in London, and at the Large Hall of the Saint Petersburg Filarmoniya.

He performs frequently as a member of the Lenape Chamber Ensemble, 1807 and Friends, Orchestra 2001, and many other groups. He has given the world premiere performances of works by several distinguished composers, including George Rochberg, David Finko, Gerald Levinson, and Thomas Whitman. In addition to his duties at Swarthmore, Mr. Barone is also on the faculty of the Bryn Mawr Conservatory of Music, where he is head of the piano department.