A Meeting of Souls illustrates Curt Cacioppo’s connection with great music of the western canon. It originated as a commission from the Carmel Bach Festival for a piece that would substitute the famous “Air on the G String” in their performances of the Bach IIIrd Orchestral Suite, and elliptically is based on that ubiquitous 18 bar string movement. Cacioppo became so fascinated with the “Air” that he produced two other response pieces, one of which is the finale of his “Fantasy, Air and Rag” triptych for 2 pianos in tribute to J.S. Bach, and “Midsummer Air,” also for the Carmel Bach Festival Orchestra.